Tagesanzeiger Zürich

Sue Mathys is the quintessential diva. When Sue Mathys begins to sing – no matter whether as Johanna Spyri in HEIDI- The Musical in Walenstadt, or as the Bride in the Maag-Halle, sun, moon and stars and all the rainbows seems to rise simultaneously. God! Is she good! 

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Neue Zürcher Zeitung

Femininity without competition! (…). Sue Mathys, who a decade ago performed a legendary “Piaf”, has then and since then again and again performed roles where there has beeen no serious female competition on the stage. Here, however, whether standing or more often dancing,  she generously shares the stage with Gardi Hutter and Sandra Studer (…) And Sue Mathys digs the Soul out of Sam Browns “Stop” (…)

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Zuger Presse

Mathys is a performer through and through, who can truly depend on her voice. (…) With “I’m a woman, W.O.M.A.N” the evening comes to a rousing conclusion (…) The audience in the Theater Casino was riveted. 

Tagesanzeiger Zürich

DREI BRÄUTE FÜR EIN HALLELUJA is a musical show traversing a whole landscape of emotions and styles. A smooth revue around and about a hotel bed, with precisely choreographed movements, chorus passages and interspersed solo parts! Under Dominik Flaschka’s direction, it was a brilliant, sparkling performance.